I noticed another little trick Suzanne Collins used to pull readers along at breakneck speed in The Hunger Games. I hadn’t noticed it in the first two books, but I saw it often in Mockingjay, the last book. She often clips the subjects off of sentences, especially in scenes of intense action or confusion. For example, she might take a paragraph like this: I walk into the room. I open the curtains. (199 words.)

Everyone go Like my Facebook page. Sometimes I put stuff there. UPDATE 8/8/2022: Yeah, don’t do that. (17 words.)

As I’m reading the Hunger Games trilogy (I’m on the last book now), I am trying to analyze why it is so popular and addictive. The story is okay, the characters are okay, the setting is okay, but somehow it adds up to something greater than the sum of its parts. Maybe it’s all marketing. One thing I noticed just now, which contributes to the fast-paced, concise text: There are hardly any descriptions of the settings. (270 words.)

One thing I forgot to mention about The Hunger Games: The dialog tags. It’s funny the things you notice when you’re an aspiring writer. Suzanne Collins uses the “X said” model when Katniss says something, but uses the “said X” model when other people speak. Like this: “I’m leaving,” I say. “You can’t,” says John. But then, if she uses a pronoun, she goes back to the “X said” model. (Obviously, because “says he” would be dumb. (147 words.)

I finally get around to reading Hunger Games. (See what I did there?) I think it’s not terrible. It’s a decent action adventure yarn, but it’s not very deep, which I suppose is normal for a young adult book. It has a Dan Brown sort of flavor to it. I would have given it three stars out of five (“I liked it”) on GoodReads, except I did not like the ending, so I went back down to two stars (“it was ok”). (760 words.)

Not much to say about yesterday’s writing. I worked on another “beginning” scene, from Ordicus Metherel’s POV the night he falls into a coma, which sort of sets the whole book into motion. I am still not happy with it, so the search for a way to start this book continues. (This one fails because there is too much information delivered. It’s really frickin’ hard to introduce a new world in a way that doesn’t overwhelm the reader. (148 words.)

Yesterday was an epic fail of a writing day, the biggest failure in recent memory. I suppose I could lie and say I was too busy with Easter festivities, but the truth is that I didn’t do anything special and in fact had the same amount of time for writing that I always do on Sundays. I managed to write a single sentence during the day. Actually, I wrote two versions of the same sentence. (215 words.)

Yesterday’s writing: Vence rescued the Metherel cousins from the castle prison. Of course, as planned, he was caught in the process. Then I started a new chapter from Mila’s POV, where Lord Garret receives the news that someone has poisoned his troops, burned up his food stores, and freed his prisoners. He goes to have a chat with Vence, now a prisoner. There’s another “getting things right” issue I worry about here. (488 words.)

2012 Hugo Award Nominations. I have to say I’m a little surprised that A Dance With Dragons is a nominee. It was an awesome book, don’t get me wrong, but I didn’t think it was quite as good as the previous ones in the series. Still, you could do a lot worse. I haven’t read any of the other book nominees. (61 words.)

Only wrote 800 words yesterday, which still put me 500 words over my 5-day goal. Most of those words went into the continuation of Vence’s subversive mission to bring down the castle. After poisoning the well, his next goal is to rescue Hayden and three Metherel cousins from the prison. (Except when he gets to the prison, only the three cousins are there. Mila took Hayden upstairs the day before.) The two guards at the prison are easily dispatched, so now he’s ready to open the cell doors. (130 words.)

In the continuing adventures of authoring The Sovereign of Tel: First I wrote about Vence, who had infiltrated the castle, starting his plan to weaken it from the inside. First he had Ali (the cook) add some poison to the food supplies going to the castle soldiers, then, after dark, he dumped a bunch of poison into the castle’s well. When I’m writing about medieval life, I worry a lot about “getting things right. (741 words.)

I’ve read ten chapters of The Fires of Heaven, the fifth book in the Wheel of Time series. In Robert Jordan’s world, ten chapters is about 205 pages. I really have a love/hate relationship with these books. Sometimes they are brilliant. Other times they make you want to throw the book (aka. Kindle device) at the wall. And it’s almost never in the middle. It’s usually one of those two extremes. (688 words.)

Another meta writing post. Yesterday I finally finished a scene between Vence, Ril, and Ali inside the castle. I know you don’t know who those people are, but I’ll get back to them. Chronologically, it is the most recent part of the story, but I kept stopping in the middle and going back to write other scenes, because frankly I’m not precisely sure how all these pieces are going to fit together so that Elenora can retake the castle. (465 words.)

So I thought I would start writing a bit about what I’m writing. Get it? Meta-writing! It occurred to me that somebody out there might actually be curious about the process of writing, or the process of becoming a writer, and since I happen to be in the position of “aspiring writer,” perhaps somebody else could benefit from my experiences. I know I would want to read something like that from another aspiring writer. (900 words.)

Since I’m an aspiring writer, I am intensely curious about some of the “inside baseball” facts of the books I read. A took a random selection of Kindle books (the ones that just happened to be on my hard drive at the time) and figured out the approximate word count for each book when converted to plain text.** In the table below, the number of pages is as shown by Amazon. (776 words.)